Sacha Baron Cohen in Borat Subsequent Film, courtesy of Everett Collection / Amazon
The original Borat wasn't actually a movie, but a cultural hotspot. Sacha Baron Cohen tricked average Americans into casually exposing their racism (it doesn't take much!) In between public provocations, many of which have the possibility of slapping the ass. Fourteen years later, it is difficult to recapture the indictment of that very special cultural moment, and no one really wants to hear "My wife" ever again. So what are we doing here? Borat Subsequent Moviefilm (Full Subtitle: Handing an Amazing Bribe to the American Regime to Support the Once Glorious Nation of Kazakhstan) is mostly tedious or marginally unobservable for much of its runtime, in a way that is highly predictable – but when , Baron, 70 minutes later Cohen finally brings up some news he doesn't miss. A certain Trumpworld character is about to have a very hot week.
Those 70 minutes will be a long time coming: By my count, nothing really remarkable happens until Baron Cohen crashes CPAC 2020 in a full Trump costume in about 38 minutes. Much of this borate is based on the presumed inherent comic value of e.g. When you hear people say a lot of "boobs" and an excess of excruciating accent punning and anti-Semitism (best line in this sense: "Nice weather that we checked"). There is far too much story (and definitely too much Kazakh jokes) relating to 10 minutes of viral footage. Borat is supported this time by a new buddy, his 15-year-old daughter Tuta, played by first-time visitor Maria Bakalova. Her anonymity gives her access to spaces into which the now too recognizable borate could not penetrate, although he still does a lot of personal work with the help of many new prostheses.
Baron Cohen's method is sometimes to go into people's rooms, but he also tends to construct situations and see if people manifest their worst selves accordingly (or at least if he can freak them out). In one case, Borat and his daughter visit a debutante Cotillion and inevitably catch middle-aged men saying creepy things – a little "gotcha" before an extended gag that didn't work out for me. One of the fathers of this event, Will Davis, describes in an essay how he got into this situation: “Our friends were contacted by a film company that wanted to shoot a fictional scene of southern beauties who were making their debut. The company paid dads and daughters $ 100 each, and all we had to do was dress up, dance a little, and enjoy free food and drinks at the beautiful Antebellum Hay House in downtown Macon. “Davis in particular is the editor of the Monroe County Reporter and is able to write whatever he wants in his own newspaper, the values of which are believed to reflect community standards. He sums up: “I have no real problem with Borat laughing at our expense. I find some of his stuff pretty funny. I'll laugh a lot harder when we get the last laugh on November 3rd. “I almost wonder if I am underestimating Baron Cohen's guile at getting people to keep digging long after he finishes production – but still, five minutes for a gross gag and a month later is local op-ed one Amount of low income expense.
While Baron Cohen certainly relies on breaking news (getting a baker to write "Jews will never replace us" on a cake, etc.), this mostly feels like repeating his biggest hits until the pandemic hits: the The crowd in the opening scenes, particularly at a state fair that shows that filming began before the lockdown, is disappearing entirely. (This is the first full-fledged feature film of the pandemic * with COVID compliance supervisors in the credits.) Two notable things happen immediately after the lockdown takes effect, all within 15 minutes in this heavily reloaded film (skip CPAC at 38 minutes to 70 minute mark), and it's hard to conclude that the pandemic has made everyone's game better. First, Baron Cohen successfully takes part in an anti-lockdown rally – again in a trap that the filmmakers built. "I mean, it was a failure," admits Matt Marshall, a budding politician who hoped his "constitutionalist" political views would finally find sympathetic, non-racial support. Once again, the filmmakers created a situation by paying for an entire rally, this time with a far greater impact than the debutant ball: Baron Cohen plays another cheerfully racist tune like "Throw the Jew in the Well" and then leaves immediately out of control . Problem is, some of the crowd is singing along, a fact Marshall confesses to NPR in all ostensible sincerity of being both surprised and angry: are these his people? Baron Cohen follows suit with a very high-profile arrest in which a certain public figure makes one of the greatest casual mistakes Borat has ever provoked. In a normal administration, they would announce their resignation about an hour after the initial reviews and I hope they have a miserable time with the news cycle. The embargo demands that the names of the officers be recorded in initial checks. Stay tuned. (Edit: and there it is.)
* DTV workhorse Charles Band, which already released two features this year (Corona Zombies, Barbie and Kendra Save the Tiger King), has no disrespect, but they are basically just versions of What’s Up Tiger Lily? plus some zoom shots. It's not quite the same. "