M. Louis Gordon takes a close look at Hit & # 39; n & # 39; Mix Infinity 4.7, pointing out what the program does well and where it could use work. He's talking about the Infinity Algorithm. He also talks about problems audio editors run into, such as: B. bleeding from headphones.
While the process was far from turnkey, it produced some impressive results. I was able to isolate the talent's voice with minimal artifacts * (see note at end). A complete sentence spoken by the engineer under a long, nasal breath of the talent had completely disappeared, leaving the desired voice in fairly detail. I was impressed with how much control and precision Infinity brings to a sound editor's nightmare.
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Hit & # 39; n & # 39; Mix Infinity
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Remix. Repair. Redesign. True separation of sources
Work with the actual notes, harmonics, and percussive sounds that make up audio. No difficult changes to waveforms and frequency spectra.
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