We talk on this week's show Jas Shelton the cameraman behind the Homecoming Season 2 look, which recently earned him an Emmy nomination.
Jas talks about his approach to preproduction, working on a scale series, and his process on set. Lots of great information from someone who is producing great work at a very high level.
If you are interested in commercial cinematography and want to get the most out of preproduction, this course is for you.
In this course, I created a step-by-step action plan to access commercial production radars and level up your projects by maximizing the prep time you have.
Commercial Cinematography – The Foundation
One day you will find yourself in a locker room. There are no windows, the walls are white and the ceilings are low. Will you make it look good Doubt it.
So what are some ideas that might help if you ever find yourself in this exact situation? I'm glad you asked.
This week, on the Patreon podcast, we're looking at two very different sports locker room scenes and highlighting what they did well and what you can do in the same situation.
To see the pictures and listen to the special Breakdown Podcast, click the link below:
The Greenscreen DP Patreon
Personal website: Jas Shelton
Instagram: @ jas.shelton